Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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Sandro Botticelli Punishment of the Rebels oil painting


Punishment of the Rebels
c 1481 Vatican city,sistine chapel (mk57)
Painting ID::  26914 		Sandro Botticelli
Punishment of the Rebels
c 1481 Vatican city,sistine chapel (mk57)
   
   
     
Sandro Botticelli Domenico Ghirlandaio,The Calling of the first Apostles,Peter and Andrew oil painting


Domenico Ghirlandaio,The Calling of the first Apostles,Peter and Andrew
1481 Vatican city,sistine chapel (mk57)
Painting ID::  26915 		Sandro Botticelli
Domenico Ghirlandaio,The Calling of the first Apostles,Peter and Andrew
1481 Vatican city,sistine chapel (mk57)
   
   
     
Sandro Botticelli Adoration of the Magi oil painting


Adoration of the Magi
c 1482 Washington,National Gallery of Art (mk57)
Painting ID::  26918 		Sandro Botticelli
Adoration of the Magi
c 1482 Washington,National Gallery of Art (mk57)
   
   
     
Sandro Botticelli Madonna and child with eight Angels or Raczinskj Tondo oil painting


Madonna and child with eight Angels or Raczinskj Tondo
1482-1483 Berlin,Staatliche Museen,Gemaldegalerie. (mk57)
Painting ID::  26919 		Sandro Botticelli
Madonna and child with eight Angels or Raczinskj Tondo
1482-1483 Berlin,Staatliche Museen,Gemaldegalerie. (mk57)
   
   
     
Sandro Botticelli Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero oil painting


Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero
c 1482 Florence,Palazzo della Signoria,Sala dei Gigli.
Painting ID::  26921 		Sandro Botticelli
Domenico Ghirlandaio and Assistants,The Roman heroes Decius Mure,Scipio and Cicero
c 1482 Florence,Palazzo della Signoria,Sala dei Gigli.
   
   
     
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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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